Inside Alden Hellmuth's Tethered Galaxy
Saxophonist and composer Alden Hellmuth discusses growing up in Hartford's Jackie McLean tradition, her mentorship under Herbie Hancock, and the double-bass lineup behind her new album, 'Tether.'
Saxophonist and composer Alden Hellmuth discusses growing up in Hartford's Jackie McLean tradition, her mentorship under Herbie Hancock, and the double-bass lineup behind her new album, 'Tether.'
Around the release of 'E at Home,' Eliana Glass reflects on the limits of technique, setting aside her jazz training, and Nina Simone's case for making someone else's song completely your own.
Inside the VP Records vault, restoration engineer Billy Polo is in a race against the physical lifespan of tape — and the even shorter lifespan of the people who know what to do with it.
With 'ITERAE,' a collaboration with Belgian pianist Jozef Dumoulin, electroacoustic composer Joseph Branciforte turns his live-editing system into an instrument for slowing time.
The drummer behind Sonic Youth, Pussy Galore, and decades of New York noise reflects on his first solo album, 'Beach Bongo Bloodbath,' a percussive distillation of a life lived at the underground's edge.
Inspired by the geological scale of Japan and the productive accidents of a standard looping pedal, Ethan Helm's 'Dreamscapes' extends a jazz improviser's instincts into the territory of self-reliance.
'Veins of Rain' was recorded the day percussionist Nava Dunkelman and alto saxophonist Masayo Koketsu first met, and their conversation about the album's friction, negative space, and a surprise session with Tim Berne reveals a shared indifference to scenes, lineage, and the past.
The fiercely independent songwriter's EP 'daisy' honors their late childhood dog while exploring patterns of loyalty and mistreatment across romantic, familial, and pet relationships—all released exclusively on Bandcamp as an act of self-determination.
The Antibalas trumpeter discusses how he built the album 'Resistance is Fertile' from beatbox demos, synchronized click tracks, and improvised layers, resulting in sounds that sit somewhere between Ornette Coleman and Death Grips.
The Pratt-educated artist's new EP, 'DOT,' merges painting and music into spartan recordings that follow her voice wherever it leads, guided by instinct and a belief that quality requires creative human thought.
From the Fairlight CMI to the 1940s Ondioline, Erika Dohi built her sophomore album using rare instruments with distinct personalities, astrology as a compositional framework, and meditation practices that confronted loneliness.
In response to society's struggles in an era of manipulated information, Bertucci's 'The Oracle' uses vocal processing and mythological references to examine how clarity has become a luxury in contemporary communication.