The Long Nostalgia of sundayclub's Manitoban Dream Pop
Courtney Carmichael and Nikki St. Pierre discuss signing to Paper Bag Records, moving from rural Manitoba to Winnipeg, and turning pandemic isolation into sundayclub's self-titled debut album.
Courtney Carmichael and Nikki St. Pierre discuss signing to Paper Bag Records, moving from rural Manitoba to Winnipeg, and turning pandemic isolation into sundayclub's self-titled debut album.
The Seattle-based duo of Anne Tong and Bryce Barsten speak about their new album 'Dim Sum & Then Some,' the band that began as a Mandarin lesson, their DIY aesthetic, and the unexpected resonance their music carries for Chinese American audiences.
zzzahara's fourth album trades the romantic preoccupations of earlier releases for something harder-won — a tender, analog meditation on grief, mixed identity, and the strange clarity of sobriety.
On 'Good Effort!', Youniss turns the city into subject matter, drawing on Burial's London, a shuttered Antwerp venue, and a revolving cast of collaborators to make the most outward-looking record of his career.
Erica Ashleson and Guillaume Siracusa discuss 'Clipping', the indie duo's third album, their move from DIY bedroom sessions to a French countryside studio, and why they'd happily redo a vocal take twenty times.
A fixture in London's jazz and electronic scenes, Momoko Gill discusses her debut album 'Momoko', her years of collaborative work alongside Matthew Herbert and others, and the music she makes as the only home she's found.
Swedish artist Fågelle spent three years making 'Bränn min jord' in the forests, community halls, and village gatherings of rural Halland, arriving at a record about what distance reveals and what returning demands.
On 'Heaven 2,' Lala Lala traces the slow, unsentimental work of releasing control and learning to trust what gets left behind.
Recorded over two days with longtime collaborators Meshell Ndegeocello and Chris Bruce, 'Man of Style' finds Justin Hicks reclaiming the singer-songwriter identity that persisted through decades of noise rock, sound art, and theatrical performance.
The fiercely independent songwriter's EP 'daisy' honors their late childhood dog while exploring patterns of loyalty and mistreatment across romantic, familial, and pet relationships—all released exclusively on Bandcamp as an act of self-determination.
Producer Marta Salogni and a rotating cast of musicians joined Westerman at an 18th-century mansion on Hydra to record 'A Jackal's Wedding,' an album where high ceilings and creative limitation were as vital as the songs themselves.
Three years of sessions in São Paulo yielded 'Pequena Vertigem de Amor,' an album born from the submarine days of early fatherhood and the vertigo between extraordinary love and ordinary routine.