The Company of Others — M. Geddes Gengras and 'Guest List'
On his fourth album for Hausu Mountain, and his first on vinyl, the restless synthesist talks improvisation, the burden of the solo record, and the surprises that arrived in the mail.
Wolfgang Seidel, Eyewitness to the Kosmische
As a founding member of Kluster and the author of 'Krautrock Eruption,' Seidel reframes 'Zuckerzeit,' 'Sowiesoso,' and the broader krautrock movement through the lens of postwar German social history — and finds the English-language mythology wanting.
Evolfo Draws a Line in the Sand
Evolfo's Rafferty Swink and Matt Gibbs on 'Of Love,' the collective improvisational process behind it, and why a seven-piece Brooklyn band decided Spotify wasn't worth the compromise.
Latin Roots in the Art Rock Canopy — Phil Manzanera's 'Revolución to Roxy'
The Roxy Music guitarist discusses his memoir 'Revolución to Roxy,' his lifelong immersion in Latin music and culture, the family secrets unearthed along the way, and a career built in close collaboration with everyone from Brian Eno to Enrique Bunbury.
Acid Before House — System 7's 'Flower of Life'
Veterans of Gong's Canterbury-meets-French-freaks psychedelia, Steve Hillage and Miquette Giraudy discuss how forty years of dance music obsession culminates in 'Flower of Life,' System 7's most fully integrated album to date.
Hans-Joachim Roedelius — Cluster, Harmonia, and the Endless After
With Cluster and Harmonia now recognized as foundations of experimental music, Hans-Joachim Roedelius considers a career built alongside Conny Plank and Brian Eno and insists, at ninety-one, that the only direction worth moving is further into the unknown.
The Mud and the Melody — Billy Fuller's 'Fragments'
The founding member of Beak> and longtime collaborator to Portishead, Massive Attack, and Robert Plant discusses the bass-first compositions and private creative philosophy behind 'Fragments,' a debut solo album assembled from nearly a decade of home recordings.
Catching the World on a String — Min Xiao-Fen's 'Boundless'
Min Xiao-Fen last set foot in Ukraine in 1988 as part of a cultural exchange with the Nanjing Chinese Traditional Orchestra, and 'Boundless,' her new duo album with bandura master Julian Kytasty, closes a loop nearly four decades in the making.
Peter Baumann, Conrad Schnitzler, and the Fun of Destruction
The former Tangerine Dream keyboardist discusses his friendship with Conrad Schnitzler, a man who proudly announced, "I'm not a musician, I just make noise," the serendipitous origins of 'Romance 76', and a Berlin underground he considers irretrievable.
Imaginary Space, Real Feeling — Bayeté's Electric Gospel
Reissued more than fifty years after its creation, Bayeté's 'Seeking Other Beauty' finds the Bay Area composer tracing the line between his grandmother's church organ and the electric possibilities that pulled him away from the jazz masters.
Insert Meaning Here — Bette A. and Brian Eno's 'Slow Stories'
Author and visual artist Bette A. discusses her 'Slow Stories' collaboration with Brian Eno, the pared-down storytelling she traces to Dutch culture, and her growing uncertainty about whether her progressive activism still fits the world she finds herself in.
Fifty Years Under the Radar — Armageddon's Unlikely Return to the Record Shop
Guitarist Martin Pugh looks back on the making of 'Armageddon,' the lost opening slot with Eric Clapton that could have changed everything, and the 50th-anniversary reissue that brings the band's sole album back to life.