The Company of Others — M. Geddes Gengras and 'Guest List'
On his fourth album for Hausu Mountain, and his first on vinyl, the restless synthesist talks improvisation, the burden of the solo record, and the surprises that arrived in the mail.
On his fourth album for Hausu Mountain, and his first on vinyl, the restless synthesist talks improvisation, the burden of the solo record, and the surprises that arrived in the mail.
The Hudson Valley musician and Goddess Party founder on self-marriage, Bulgarian choral music, and running a benevolent hierarchy, ahead of 'The Wedding,' a two-night rite of borrowed gowns and mirror-held vows.
Guitar in hand and Arthur Russell forever at his shoulder, Steven Hall turns half a century of desire into harmony he mostly sings to himself.
The New York trumpeter, composer, and bandleader behind Sexmob and the Millennial Territory Orchestra returns with a pair of linked albums, 'ResoNation Trio' and 'Ultra Resonance,' and talks trumpet trios, dub reinvention, Levon Helm's Rambles, and the downtown scene that formed him.
On 'Bleeding Past the Edges,' Christopher Tignor upends the interactive electronics playbook, composing for a one-body orchestra through precise, reproducible systems aimed at a single purpose — to break the listener's heart.
On 'Sunbeam Of No Illusion', Ben Seretan and John Thayer find melody where ambient music usually forgets to look, treating amplified mistakes, grass-bundle drumsticks, and borrowed sustain as the raw material of a minimalist document of place.
The Holgate sisters discuss their self-titled debut, the eccentric visionary women — from Hildegard von Bingen to Emily Dickinson — who populate their vocal lineage, and the uncanny resonance two siblings can achieve when they know each other almost too well.
The Juilliard-trained dancer discusses his new role as executive director of the 170-year-old venue, which stands tall as the Hudson Valley's community anchor and an international performance destination.
"The studio was like heaven for us." Decades after their collaboration, Steven Hall offers rare insights into Arthur Russell's creative process, his ban on vibrato, and their search for musical purity.
Three seasoned jazz musicians, 250 concerts, and one nonprofit later, Brooklyn's WORKS return with an album that captures their decade-long musical conversation.
Armed with deep historical knowledge and a revolutionary spirit, mandolin virtuoso Joe Brent and his chamber ensemble 9 Horses craft music where classical, folk, and jazz traditions dissolve into something entirely new.
A thirteen-year-old's solo journey from Japan inspires a musical documentation of four generations, as the woodwind artist brings together jazz quintet and string quartet on his bold new album 'Voyages.'