The Animal Songs of Nina Winder-Lind
The New Eves’ cellist straps on an electric guitar for ‘Wild Love,’ a debut solo album of bruises, breath, and a closing salute to her foremothers.
The New Eves’ cellist straps on an electric guitar for ‘Wild Love,’ a debut solo album of bruises, breath, and a closing salute to her foremothers.
Good and evil sit in the same character, the same song, and — Moss suspects — the same person, a Catholic inheritance she hears throughout 'The Knife, The Needle.'
Her mother remembers love, her father says there was none, and 'The Brothel: A Musical Memoir' lets both accounts stand before handing the story to the next generation.
After 30 years of handing her records to producers, Veirs recorded 'Temple Songs' entirely alone, guided by wabi-sabi, the DIY ethos she took from Ani DiFranco, and a determination not to fall down perfectionism's rabbit hole.
On the heels of her Sacred Bones debut 'Hard Hearted Woman,' Ora Cogan reflects on the Fairy Creek blockades, somatic practice, the whitewashing of folk music, and what it means to write a trans rights song that doesn't scream.
Recorded over two days with longtime collaborators Meshell Ndegeocello and Chris Bruce, 'Man of Style' finds Justin Hicks reclaiming the singer-songwriter identity that persisted through decades of noise rock, sound art, and theatrical performance.
After three years of touring more than 200 days annually, the guitarist and Jeff Tweedy sideman recorded 'Pilot Light' to recreate, musically, what constant travel had taken away.
Three years of sessions in São Paulo yielded 'Pequena Vertigem de Amor,' an album born from the submarine days of early fatherhood and the vertigo between extraordinary love and ordinary routine.
The Dublin-based songwriter reflects on her debut 'Window in the Woods,' a record that moves between lament and possibility through piano, layered strings, and seascapes recorded off Ireland's west coast.
The multi-instrumentalist singer/songwriter discusses his move from polished production to intimate minimalism, the power of limitations in creativity, and why he records his most personal songs in the early morning hours of his Idaho living room.
The Vermont-based indie rocker reflects on building a music career outside cultural centers, the influence of Dylan's 'Street Legal' on his songwriting, and why he believes understanding yourself requires understanding the places you go.
Mike Scott's four-year obsession with Dennis Hopper has yielded a sprawling 25-track concept album that mirrors the actor's extraordinary life while chronicling America's countercultural transformations.