In his 1959 comedy 'Good Morning,' Ozu captures the precise moment when Japanese families confronted their first screens, revealing how the promises of connection through technology often deliver isolation instead.
Martin Nathan's 'Oide Oide' pairs Japanese supernatural creatures with experimental compositions, featuring collaborator Emiko Ota and dub legend Mad Professor in a project that redefines what dub music can become.
Piotr Kaliński explains why the Polish trio's third album required expensive tape, cheap equipment, and a Japanese bassist who could read minds from thousands of miles away.
Discussing his latest work, 'Things Become Other Things,' the writer and photographer reveals how walking thousands of kilometers across Japan generates the mental space where his ideas develop.
Italian bass, Japanese drums, and a rambunctious musical mindset brought together Zu and Tatsuya Yoshida for twenty-three electrifying European shows, culminating in their Jazzisdead Festival performance captured on a new live album.