The Whole Greater Than Its Parts — Bondo on 'Bondo'
Years of playing in the same converted room have left Bondo convinced the band is a thing separate from the four people in it.
Post-Rock
Chasm's Sense — Diles Que No Me Maten's Borrowed Light
On their fourth album, 'Escrito en agua,' the Mexico City band Diles que no me maten build songs from Mahmoud Darwish's poetry, funerary music from Oaxaca, and their own festival organizing, all filtered through loose, unresolved improvisation.
Memory, Melody, and the Post-Rock Vision of Unwed Sailor
Johnathon Ford discusses his band's latest release, 'High Remembrance,' the one-album-a-year discipline that has defined Unwed Sailor's second act, and why the bass guitar is the closest thing he has to a singing voice.
The Patient Return of worriedaboutsatan
worriedaboutsatan's Gavin Miller discusses 'No Knock, No Doorbell,' his 20th release, the post-rock and electronic push and pull at its core, and what a nine-to-five job taught him about taking his time.