'Cavejaz' finds the Brazilian guitarist collaborating with UAKTI percussionist Paulo Santos, Japanese tabla master U-zhaan, and Los Angeles percussionist Tiki Pasillas on an album that privileges listening and space over the virtuosity his tradition demands.
Drawing on behavioral science research, Hallsworth's 'The Hypocrisy Trap' examines how false signals of consistency drive our contempt for hypocrites and what happens when accusations of hypocrisy spiral out of control.
NAMM's president shares strategies for turning students into advocates, building passion before theory, and preparing the next generation to thrive in a world that doesn't yet exist.
The vibraphonist's 'Of The Near And Far' superimposes constellations over the circle of fifths to generate pitch collections for a ten-piece ensemble while signaling her background in orchestral percussion, alternative rock, and the chamber works of Glass and Xenakis.
Jazz drummer Phil Haynes's string band Free Country reconvened after a decade to record original compositions, but hours before the first session, trumpeter Herb Robertson died, and the 2024 election delivered its verdict—the double album 'Liberty Now!' carries both griefs.
The BAFTA-winning composer traces his parents' displacement from Colombia and Cuba across two albums, 'Manu' and 'La Marea', blending string orchestras with techno's rhythmic complexity and the "magical realism" of Latin American folk traditions.
Cultural historian Graham St. John's 'Strange Attractor' chronicles McKenna's role as rogue scholar and stand-up philosopher, tracing his journey from a 1966 DMT conversion experience to becoming a disembodied voice whispering into the ears of dancers worldwide.
The prolific guitarist talks about 'Trio of Bloom' with Craig Taborn and Marcus Gilmore, maintaining experimental outlets alongside two decades in Wilco, and the productive anxiety of working with wizard-level musicians.
The acclaimed pianist reflects on a lifetime of adapting tools never designed for blind musicians, how his mother taught him that communicating feeling matters more than technical perfection, and why he believes technology's moral compass must always stay ahead of its capabilities.
The saxophonist and woodwind specialist discusses his first solo album in over a decade, 'Looms & Legends,' which alternates between pieces that create sonic fabrics through extended techniques and those that tell linear stories through melodic narrative.
The Berlin-based composer's album 'Domschatzkammer' refracts instruments through one another, slows a Bach chorale beyond recognition, and transforms the harp into an emotional outlet shaped by catastrophe.