With his trio Cardume, the Grammy-winning Brazilian percussionist strips away the familiar structures of jazz to create something more elemental—three musicians moving like a school of fish through uncharted sonic waters.
Three decades into his career, Abbasi returns to acoustic guitar for 'Sound Remains,' processing personal loss while questioning what it means to let go in both music and life.
Saxophonist Jane Ira Bloom's album 'Songs in Space' brings together her pioneering approach to surround sound jazz, a vision of music in zero gravity, and a belief that silence gives the brain time to process music moving through dimensions.
The progressive trio of Pat Mastelotto, David Kollar, and Paolo Raineri constructed their second album from a rejected mafia film score. The result trades their debut's density for space and accessibility.
The saxophonist and composer left Broadway's steady income to lead a seventeen-piece ensemble in Indianapolis. His latest album, 'Communal Heart,' proves that creative independence can flourish outside traditional industry expectations.
On 'Cursed Month,' the young composer uses microtonal intervals to create intensity without relying on volume or overdrive. As Yang explains, "Heaviness comes from the playing itself, not just the sound."
Two musicians from different worlds found common ground in their rejection of static electronic music. The result is 'All the Light of Our Sphere,' an album that treats improvisation as narrative and loops as living things.
The electronic composer and cellist discuss their album 'Ego Death,' the art of surrender, and how their partnership is centered on creative dissolution rather than individual expression.
The Mexican-born, Chicago-based drummer discusses his album 'The Crisis Knows No Borders,' his philosophy on small daily sacrifices, and why convenience keeps getting in the way of saving the world.
On the album Worlds in Collision, the mathematician-turned-musician fragments voices and field recordings according to the same geometric principles that govern his guitar compositions.
From solo classical performances to improvisational duets with Francisco Mela, the guitarist explains how 'Spaces' became a study in musical presence and why being in the moment has become both her greatest challenge and her greatest gift.
At sixty-six, the founder of SuperMusique and DAME Records continues championing the collaborative spirit that has defined her artistic practice since the 1980s.