
Dirt in the Machine — Hiroki Chiba Joins Hinode Tapes for 'Ita'
Piotr Kaliński explains why the Polish trio's third album required expensive tape, cheap equipment, and a Japanese bassist who could read minds from thousands of miles away.
A collection of some of the ambient music artists and releases featured on The Tonearm.
Piotr Kaliński explains why the Polish trio's third album required expensive tape, cheap equipment, and a Japanese bassist who could read minds from thousands of miles away.
With 'Gentle Breath,' TJ Dumser's ambient project turns improvisation into liturgy, crafting spaces where listeners can step "outside the stream" and find themselves within carefully constructed waveforms.
The experimental musician discusses his long-running ambient project, the beauty hidden in dollar-bin records, and why making peace with a slower creative pace yields his most thoughtful work.
After a hand injury sidelined his violin playing, the Calgary-based composer created 'Odd Stillness,' an album that challenges traditional notions of performance and recording.
Tabla virtuoso Shawn Mativetsky discusses the instrument's complexity, the guru-disciple tradition, and his latest album 'Temporal Waves,' which marries classical Indian percussion with synthesizer soundscapes.
Okay. I'm going out on a limb this week, I hope you'll join me.
Pioneered by Brian Eno in the 1970s, ambient music has evolved beyond its minimalist roots to influence multiple genres. Today, its meditative qualities and emphasis on sonic textures resonate with audiences seeking calm in an increasingly chaotic world.
Damn. Hiroshi Yoshimura gets me chilled the hell out.
Nheap is the nom de guerre of Italian drummer/composer Massimo Discepoli. The projects he puts out as Nheap are ethereal, mostly mellow electronic excursions accompanied by his own live acoustic drum work. 'Clouds Under The Table' marks his third collection as Nheap.
While there are many interesting sounds on Anvils and Broken Bells, this release from Chicago-based improviser AJ Kluth (credited to his ensemble ALDRIC), they do not necessarily add up to an entirely compelling work.