Ed Motta Between Rio and the American Radio Dial
Cameo, the S.O.S. Band, and Gap Band are the coordinates of 'Toc-Toc', an album of drum machines and bass synthesizers that sends Motta back to what the radio was playing when he was a teenager.
Cameo, the S.O.S. Band, and Gap Band are the coordinates of 'Toc-Toc', an album of drum machines and bass synthesizers that sends Motta back to what the radio was playing when he was a teenager.
Steve Shelley, Gustavo Riviera, and Paulo Kishimoto discuss 'Catacroma,' the overlooked Brazilian rock and roller Erasmo Carlos, and the weekly radio playlist that keeps three musicians in two hemispheres listening to the same records.
Luiza Monteiro sings in Portuguese to find her way back to Brazil, slipping between the characters a theatre stage taught her to inhabit.
'Cavejaz' finds the Brazilian guitarist collaborating with UAKTI percussionist Paulo Santos, Japanese tabla master U-zhaan, and Los Angeles percussionist Tiki Pasillas on an album that privileges listening and space over the virtuosity his tradition demands.
On his sophomore album 'Silêncio,' the São Paulo producer decodes nature's symphonies through vintage gear and collaborates with Brazilian legend Arthur Verocai, creating a psychedelic meditation on what happens when we finally stop to listen.