Reaching out into uncomfortable zones beyond what we normally hear.
From backing the Flying Luttenbachers to channeling Philip K. Dick's mysticism, Werber opens up about the visionary experience that shaped his solo debut 'Krater' and his collaboration with Sunn O)))'s Daniel O'Sullivan.
The experimental composer's album 'Sleep in the Shadow of the Alternator' transforms his childhood memories of Coalville's mines and factories into a dreamlike narrative about the East Midlands' vanished industry.
On 'Cursed Month,' the young composer uses microtonal intervals to create intensity without relying on volume or overdrive. As Yang explains, "Heaviness comes from the playing itself, not just the sound."
The electronic composer and cellist discuss their album 'Ego Death,' the art of surrender, and how their partnership is centered on creative dissolution rather than individual expression.
Composer Jamie Hamilton collaborates with Phaedra Ensemble to turn internet-age mythology about an unexplained global drone into a "darkly humorous fever-dream" about collective hallucination.
At sixty-six, the founder of SuperMusique and DAME Records continues championing the collaborative spirit that has defined her artistic practice since the 1980s.
Using hardware store materials and spiritual guidance, Hocine built an organ that breathes, complains, and refuses to be controlled. Her album 'ātamōn' captures each pipe's distinct personality in the reverberant depths of an abandoned iron mine.
The ESP-Disk label manager found liberation from classical composition anxiety through distorted trombone and Phantom Honeymoon, his noise duo with theremin player Alexandra Beneski.
The French multi-instrumentalist discusses his path from Pat Metheny's harsh noise to creating "sonic mille-feuilles" with Toru, exploring modular synthesis, and running his Arsenic Solaris label.
Piotr Kaliński explains why the Polish trio's third album required expensive tape, cheap equipment, and a Japanese bassist who could read minds from thousands of miles away.
The experimental composer draws from the landscape of the American South to create a multimedia experience. His five-year project. 'Moving,' transforms environmental field recordings and modular compositions into hypnotic soundscapes that document our fragile waterways.
The Ukrainian composer discusses her new album 'SPOMYN,' the role of voice as a fingerprint of identity, and creating immersive sonic landscapes where each sound interacts like a character in its own small universe.