
Rez Abbasi's Acoustic Meditation on Loss and Impermanence
Three decades into his career, Abbasi returns to acoustic guitar for 'Sound Remains,' processing personal loss while questioning what it means to let go in both music and life.
Three decades into his career, Abbasi returns to acoustic guitar for 'Sound Remains,' processing personal loss while questioning what it means to let go in both music and life.
The Orchestral Manoeuvres in the Dark frontman discusses why Kraftwerk matter more than the Beatles, how political resistance sparked 'Bauhaus Staircase,' and why his band refuses to make "shit records."
Isaac Sherman's debut 'A Pasture, Its Limits' spans years and cities, built from hardware synthesizers, gibberish vocals, and a belief that "the humanness comes through music when you strip away all the glitz."
The saxophonist and composer left Broadway's steady income to lead a seventeen-piece ensemble in Indianapolis. His latest album, 'Communal Heart,' proves that creative independence can flourish outside traditional industry expectations.
The British music producer and Polish clarinet virtuoso built 'The Universe Will Take Care of You' in four spontaneous London studio days, capturing the act of playing without thinking.
Two musicians from different worlds found common ground in their rejection of static electronic music. The result is 'All the Light of Our Sphere,' an album that treats improvisation as narrative and loops as living things.
The Mexican-born, Chicago-based drummer discusses his album 'The Crisis Knows No Borders,' his philosophy on small daily sacrifices, and why convenience keeps getting in the way of saving the world.
Composer Jamie Hamilton collaborates with Phaedra Ensemble to turn internet-age mythology about an unexplained global drone into a "darkly humorous fever-dream" about collective hallucination.
From solo classical performances to improvisational duets with Francisco Mela, the guitarist explains how 'Spaces' became a study in musical presence and why being in the moment has become both her greatest challenge and her greatest gift.
As Locrian reissues their landmark album, Terence Hannum discusses the band's evolution from experimental duo to post-metal trio, his separation of visual art from music, and why heavy metal "rewards playing it safe."
After four decades as a collaborator for artists like R.E.M. and Cyndi Lauper, the guitarist has retreated to rural Connecticut to create his first solo work and discover what he calls "my truth."
The London producer discusses how island isolation and a borrowed Gretsch guitar led to 'Craters of the Lost Souls,' his haunting soundtrack to an imaginary Western film that doubles as a tribute to Ennio Morricone's cinematic legacy.