Stephan Thelen Warms Up to Musical Mathematics
On the album Worlds in Collision, the mathematician-turned-musician fragments voices and field recordings according to the same geometric principles that govern his guitar compositions.
On the album Worlds in Collision, the mathematician-turned-musician fragments voices and field recordings according to the same geometric principles that govern his guitar compositions.
Roberto Di Gioia of the German jazz collective Web Web explains his philosophy of treating music "like a newborn baby," and why, when recording their sixth album, 'Plexus Plexus,' less preparation led to deeper focus.
How the Seattle-based poet and keyboardist found her true voice through improvisation, plus Pearl Jam's Stone Gossard explains why Davis's talent helped revive his independent label after twenty years.
A technical failure erased the interview, but the spiritual dimensions of 'Armageddon Flower,' Shipp and Perelman's forty-sixth collaboration together, prove more durable than digital memory.
The Damascus-born clarinetist discusses his philosophy of musical freedom, the power of long-term collaboration, and how his latest release, 'Live in Berlin,' captures nearly two decades of creative partnership with his CityBand quartet.
The composer behind 'Mirror Image' talks about challenging guitar-hero expectations, finding inspiration in Argentine rhythms, and why the best band leaders sometimes disappear into the music.
The stef.in mastermind talks about his latest album 'Icterus II,' why he's against Spotify, and how Toronto's underground scene shaped his genre-defying approach to composition.
The pianist-turned-composer discusses her philosophical views on improvisation, the challenges of writing for larger ensembles, and the inspiring tales of extraordinary female explorers.
Red Snapper's Ali Friend reflects on three decades of creative restlessness, working with David Harrow, and why live performance has become more precious than promotional tool.
Rather than sample other musicians, Cinephonic's Pierre Chrétien recorded his own jazz trio only to deconstruct and rebuild it. The resulting album, 'Refuge,' is a sonic diary that documents a search for stability amid life's unpredictability.
For drummer and composer Leon Anderson, the long-awaited 'Live at Snug Harbor' is a debut album that documents decades of performance, education, and preservation of jazz traditions.
With clarinet and accordion, Sam Sadigursky and Nathan Koci transform the ghostly silence of Borscht Belt ruins into a meditation on memory and absence.