From his first encounter with ‘Explorations’ to writing liner notes for ‘Haunted Heart: The Legendary Riverside Studio Recordings,’ the jazz historian discusses how Evans, LaFaro, and Motian transformed friction into a circular, evolutionary approach to the jazz trio format.

Sam Sarty and Gilad Carroll discuss their Winnipeg roots, the making of ‘Internal Drone Infinity’, and how the band transforms isolation and distance into thoughtful dream pop that leaves space for memory and the quiet work of getting better.

Recording their debut album live off the floor in just seven days, the trio channels garage rock fury and Maritime folk traditions into songs that capture a regional scene experiencing its own creative renaissance.

The electronic producer discusses his sixth album ‘Tremor,’ a record that pulls together shoegaze, ambient drone, and club music, and features collaborations with Alison Mosshart, New Dad, and Bdrmm.

The saxophonist and woodwind specialist discusses his first solo album in over a decade, ‘Looms & Legends,’ which alternates between pieces that create sonic fabrics through extended techniques and those that tell linear stories through melodic narrative.

Multi-instrumentalist Ned Rothenberg discusses his first solo album in 13 years, extended techniques, and creating the indigenous sound of an undiscovered country.

Saxophonist Miguel Zenón discusses his quartet’s first live album, recorded at the Village Vanguard, and how research fuels his fusion of jazz and Puerto Rican music.

GRAMMY-winning bassist Linda May Han Oh discusses her compositional process, embracing failure, and how surfing informs her approach to jazz improvisation.

Meet four Jazz Forward Award winners reshaping jazz through radio tracking, global streaming, community venues, and inclusive education across three continents.

Australian trumpeter Peter Knight discusses Hand to Earth’s new album, cultural collaboration with Yolŋu songmen, and his decade leading the AAO.