Latest from The Tonearm:
The Mending â Tahlia Amanson on the Reinvention of Myra Lee
The Brooklyn trioâs âCapture the Flagâ features six songs recorded live in two daysâand itâs the closest Tahlia Amanson has come to telling her parents the truth.

Civil Service, Protest Songs, and Ora Coganâs Private World
On the heels of her Sacred Bones debut âHard Hearted Woman,â Ora Cogan reflects on the Fairy Creek blockades, somatic practice, the whitewashing of folk music, and what it means to write a trans rights song that doesnât scream.

âRemote Control,â âFunny Games,â and the Algorithm
Long before YouTube built its pipeline and Spotify buried its royalties, two films were already asking whether you were a victim of the machine or complicit in it. Warning: contains spoilers!

Golden MandibleâThe Feral Minimalism of Chik White
Rooted in a fundamentalist household on the South Side of Nova Scotia and sharpened by crust punk and free jazz, Chik White arrives at âface across the doorâ after years of tightening the distance between art and noise.

Eliana Glass on Spontaneity, Technique, and Nina Simone
Around the release of âE at Home,â Eliana Glass reflects on the limits of technique, setting aside her jazz training, and Nina Simoneâs case for making someone elseâs song completely your own.

Latest from The Tonearm Podcast:
Dave Douglas on Transcend, Process, and Uncertainty
Trumpeter Dave Douglas on his album Transcend, Booker Little, Jack Whitten, and the creative discipline of not knowing.

Ora Cogan on Hard Hearted Woman & Folk Resistance
Ora Cogan discusses her Sacred Bones debut, protest music, collective activism, and the shifting meaning of âKatie Cruelâ over a decade.

Billy Polo on Preserving Reggaeâs Analog Past | The Tonearm
VP Records engineer Billy Polo on restoring reggaeâs rarest tapes, archiving Jamaican music history, and the art of mastering for digital.

Stephen Emmer on Asymmetrical Dot | The Tonearm
Dutch composer Stephen Emmer discusses Asymmetrical Dot, Indonesian heritage, hearing loss, and four decades of learning which clichés to reject.

George Grella on Minimalist Music and Time
Critic George Grella discusses his book Minimalist Music, arguing that Reich, Glass, and the genre are really about one thing: time.










