worriedaboutsatan’s Gavin Miller discusses ‘No Knock, No Doorbell,’ his 20th release, the post-rock and electronic push and pull at its core, and what a nine-to-five job taught him about taking his time.

Barwick and Lattimore discuss ‘Tragic Magic’, a debut collaboration recorded on vintage instruments from the Musée de la Musique, the guilt and gratitude of leaving a burning city for Paris, and a shared dream of one day playing in James Turrell’s Roden Crater.

The German-Italian producer David August returns to the piano he has known since childhood on ‘Hymns,’ nine devotional improvisations treated with prepared strings and recorded to preserve every creak and breath of a century-old instrument.

The former Tangerine Dream keyboardist discusses his friendship with Conrad Schnitzler, a man who proudly announced, “I’m not a musician, I just make noise,” the serendipitous origins of ‘Romance 76’, and a Berlin underground he considers irretrievable.

Guitarist Gregory Uhlmann discusses ‘Extra Stars,’ a five-year collection of pieces inspired by stargazing in the California desert, and the Los Angeles musical community threaded through it.

Saxophonist Ben Wendel discusses his new album BaRcoDe, teaching, the Village Vanguard, and a career shaped by musical curiosity.

Julianna Barwick and Mary Lattimore discuss Tragic Magic, recorded at the Philharmonie de Paris in the wake of the LA wildfires.

Montréal avant-jazz quartet Bellbird discusses their Constellation debut The Call, nature-inspired compositions, and what a real collective sounds like.

Pedal steel innovator Sam Wenc on his debut album, the influence of Susan Alcorn, meditation, and the Philadelphia music scene.

Composer and harpist Zeena Parkins discusses her electric harp, new record Lament for the Maker, composing for dance, and the closing of Mills College.