The prolific composer discusses his new string quartet ‘Homestead,’ recorded with Apartment House, and why he refuses to let centuries of classical tradition dictate his creative process.

Behind the California sunshine, harmonies, and groundbreaking production techniques lies a complex artist battling inner demons. Three takes on why Brian Wilson’s music remains a refuge for so many.

Kevin J. Hayes’s ‘Understanding Hunter S. Thompson’ challenges the romantic narrative surrounding the Gonzo pioneer, revealing uncomfortable truths about talent squandered and assignments abandoned.

The Damascus-born clarinetist discusses his philosophy of musical freedom, the power of long-term collaboration, and how his latest release, ‘Live in Berlin,’ captures nearly two decades of creative partnership with his CityBand quartet.

The Brooklyn duo has spent over a decade perfecting their brand of haunted vaudeville. Their latest album, ‘The Double,’ continues their exploration of the strange spaces between reality and dreams.

Saxophonist Ingrid Laubrock discusses composing “Purposing the Air,” setting Erica Hunt’s poetry to music for four vocal-instrumental duos.

Syrian clarinetist Kinan Azmeh discusses his new album ‘Live in Berlin,’ cross-cultural composition, and how music transcends geographical boundaries.

Israeli guitarist Tal Yahalom discusses his album Mirror Image, chamber jazz composition, and challenging traditional guitar roles in modern jazz.

British composer Claire Cope discusses her album ‘Every Journey,’ inspired by female explorers, and her evolution from classical pianist to contemporary jazz innovator.

The Waterboys’ Mike Scott discusses his ambitious musical biography of Dennis Hopper, featuring Bruce Springsteen and Fiona Apple, and how a chance gallery visit sparked a creative odyssey.